La Pointe Courte - Agnes Varda’s 1955 debut, and a real nice little surprise. It’s only 80 minutes long, and tells two separate stories. In one a married couple comes back to the husbands fishing village home to try to salvage their marriage. The other story follows the denizens of the village as they fight to retain their way of life against local government who has decreed that the locally caught shellfish are not fit to be sold. The film is strikingly shot on location in Southern coastal France, and is interesting because the two stories are presented in such different ways. The couple’s portion of the film consists almost entirely of them walking the area and talking about their lives. It’s very Bergman-esque, and in fact even uses a sequence in the belly of an old boat, much like in Bergmans Through a Glass Darkly. Since this predates the Bergman film by several years, one wonders if the Swede saw La Pointe Courte. The fishing village portions, on the other hand, look to be highly influenced by Italian neo-realism, and the films of men like Roberto Rossellini and Vittorio De Sica. This mash-up of styles works well for the material involved. The structure of the film is inspired by William Faulker’s The Wild Palms, which alternated chapters to tell a pair of short stories. The screenplay was written Alain Resnais. Check this movie out.
